Organ Recital
Michael Fuehrer
Auckland, St
Matthew-in-the-City
Thursday, April 5th
2018, 12.10 pm
Dietrich
Buxtehude
(1637-1707)
Praeludium in g
minor
Georg Böhm (1661-1733)
Christ lag in Todesbanden
Johann Sebastian Bach (1685-1750)
Christ lag in Todesbanden (BWV 695)
Christ ist erstanden (3 Verses, BWV 627)
Christ lag in Todesbanden (BWV 625)
Clément
Loret (1833-1909)
O Filii, et Filiae
Alexandre Guilmant (1837-1911)
Offertoire sur "O Filii" Op.49, Nr.2
Soorjo
Alexander William Langobard Oliphant Chuckerbutty (1884–1960)
The Queen's Procession, March for Organ Solo
Théodore Dubois (1837-1924)
Fantaisie
(No.7 of 12 Pièces, 1886)
Percy E.
Fletcher
(1879-1932)
Festival
Toccata (1915)
Michael Fuehrer was born and grew up at the
Rhine in Cologne, Western Germany. His Father was always interested in old
music, so he grew up with harpsichord and clavichord, hearing all Bach etc. At
the age of 13 he began to get information on the harpsichord, with 16 his
teacher became Annemarie Bohne who organised masterclasses with Gustav
Leonhardt which he visited.
After
finishing school, he studied church music in Cologne (with Heino Schubert,
Rudolf Ewerhart etc.), then harpsichord with Jos van Immerzeel in Antwerp.
From 1975
until 1988 he worked as organist and choirmaster in Heimbach/Eifel. In St.
Clemens he played the organ by Dauzenberg (1879 II/21, tracker action). He was
involved in the plans and the supervision of the construction of the
Salvatorchurch (finished 1981) and got a new organ by Beckerath, Hamburg (1985,
III/38). With these organs he made a LP for Mitra in 1986.
He completed
his studies: Church Music in Düsseldorf (with Heinz Bernhard Orlinski, Diplom
1983), Harpsichord in Cologne with Hugo Ruf (Diplom 1984) and studied
musicology, history and french at the University of Cologne.
From 1989 to
2011 he worked as church musician at Hl. Dreikoenige, Neuss. The organ there
was built by Walcker in 1940/1950 with electric action, but in 2002 following
his plans renewed by Klais, Bonn with new windchests, mechanical action, 2
swells and 1000 combinations (III/49).
From July
2011 until Easter 2015 he worked as church music director at 5 churches in
Grevenbroich.
Besides
following many masterclasses (at Innsbruck, Pistoia, Haarlem etc. with Colin
Tilney, Guy Bovet, Ewald Kooiman, Ton Koopman, Nicholas Kynaston, Daniel Roth
etc.) and playing a lot of concerts on harpsichord and his large Repertoire on
famous organs, he has restored old keyboard instruments and built copies of
harpsichords. - for more see www.m-fuehrer.de